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My Bones
A Solo Exhibition by Hailey Weber

626 Broadway Avenue, unit 36, Saskatoon, SK, Canada.
Treaty 6 Territory.

September 09 - 14, 2024


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Hailey Weber
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The vastness of Treaty 6 territory on the Saskatchewan prairies in its natural form is how Hailey first developed a sense of belonging. She has spent much of her life developing deep roots within the community she calls home. She is a recent graduate from the University of Saskatchewan. As a student she played varsity soccer while simultaneously pursuing a Bachelor of Fine Arts. During her time playing soccer and in her younger years she spent time travelling, visiting Australia, Italy, Paris, Mexico and more than fifty cities or towns in North America. At a young age she started to conceptualize the idea of place and belonging, furthermore how places are experienced differently by people. Through funded research allowing the study of Saskatchewan identity, most recently she has been studying the effects of positionally and identity on one’s perception of place. Through her lived experience, she has come into contact with an incredibly diverse variety of individuals widening her perspective on how others experience life. This investigation of people, place, and culture is central to her practice.

Hailey has been the recipient of a variety of Awards, notably the Judy Poole award as the most distinguished graduate from the department of Art and Art History at the University of Saskatchewan in 2023. Other recognition includes the Misanchuk memorial travel award for research, an Honours Research Scholarship from the college of Arts and Science, the Elizabeth Schollie award for exceptional work in the field of painting, Independent research funding from SaskArts, five scholarships from Sasksport, the Anna Bychinski Award for excellence in the fine arts, and support through the Prince Edwards Scholarship from SaskArts.

artbyhailey.net

My Bones

Scientists have discovered that root tips communicate with other species in forest networks, transmitting signals from one plant to another through the fungi, carrying messages to share the needs of other plants surrounding them (Global Institute for Food Security, 2019). Albert Marshall, an Elder from the Moose Clan of the Mi’kmaq Nation teaches that the roots are holding hands, similar to the way we hold hands with our loved ones. When a tree is cut down or injured, it sends messages through its roots to the surrounding trees to send nutrients to maintain, heal, and preserve (“On Belonging” by Kim Samuel, 2022). Meaning years after a tree is cut down, its stump can still be alive and flourishing. Even fallen trees become nursery beds for young tree seedlings and saplings. Marshall explains that trees “weave a web of reciprocity, of giving and taking. In this way, the trees all act as one, because the fungi have connected them. Through unity, survival. All flourishing is mutual. Soil, fungus, tree, squirrel, child—all are the beneficiaries of reciprocity.”

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When I think about what it means to belong, I am often reminded of the flourishing forests that are littered throughout Saskatchewan as elaborate ecosystems where each organism relies on the other to exist. So for us as people, what does belonging mean? Professor John Helliwell, professor emeritus of the Canadian Institute for Advanced Research explains that “Belonging, almost like happiness or fear or pain, is something that you don’t have to ascribe a meaning to, its meaning is intrinsic. So, if you say you feel you belong somewhere, it’s a feeling as primal as being in pain or feeling happy. It doesn’t have to have a description, it simply is.” It’s largely tied to feeling at home, both internally and externally, within the environmental, cultural, and social contexts of life.

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Establishing a connection to a physical sense of belonging can be challenging in today's world. Many people are denied the feeling of home, unable to access the land they cherish or find security in their living spaces. Our global environment is experiencing an unprecedented level of instability. With climate change, environmental degradation, rampant discrimination and violence, inequalities that hinder access to housing, and the ongoing effects of colonialism, the global community will increasingly confront the harsh realities of displacement, transience, and disconnection from physical places.

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A true homeplace must foster acceptance, connection with others, the ability to influence our lives, and a sense of meaning and purpose. It is essential that we feel we have a voice in the decisions that impact us, that our opinions are valued, and that we have the opportunity to listen to others as well. We need to cultivate a connection to the world and our broader human family, reflecting on profound questions about the essence of home and the significance of sharing it. This includes recognizing the belonging of homeplace to everyone in our communities, as well as to the land, water, animals, and other beings that inhabit our environment. This concept lies at the core of responsible interdependence and is crucial for our future survival.

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Consider how your community was formed and who inhabited the land before. How can you develop a personal connection to this place that respects its history and biodiversity? Think back to where you were born and the natural surroundings that nurtured you during the early years of your life. You may have fond memories of the neighborhood park where you played with friends, the forest where you explored with family, or the lake that provided relief during hot summer days. Your commitment to preserving that park, that forest, or that lake deepens when you feel connected to them, as they become integral to your sense of home. As we get to know our homeplace more closely, we invest more in its well-being. We feel anchored and motivated to protect those roots.


This makes me think about the early histories of peoples living in Saskatchewan. Indigenous peoples and early farming communities alike depended on one another for survival within a few dozen miles, whether for food, employment, essential services, or the support of family and friends. The necessity of community fostered a desire for it to endure. Today, however, the situation has changed. Nonetheless, people here often understand the value of connecting to the places we call home, living from the land, and believing that when you take care of your home, it will take care of you.


Calling Saskatchewan home my entire life, I, like many who have lived in this province, have come to learn the importance of understanding “My Bones.” While creating this body of work, I spent much of my time creating in remote locations throughout the province studying its facets- from moss growing on the ground, to ducks on a pond, or grand cloud formations passing in the sky. As current time becomes memory, my lens develops, and my work chronicles what I have come to see and to know. Incorporating ever evolving colour palettes, movement, and symbolism often through an abstracted lens, my process acts as a reinvestigation of the structures and relationships that root us to our place in the world. My work sits somewhere between representational and partially recognizable, merging belonging in both the physical world and not-so-physical space that we hold inside. Furthermore, this body of work is a catalyst to bring the viewer to a place of wonder where they can turn inward to build their own connections and deepen their relationship with their bones. I seek to bring the viewer into the moment with me and with the hope that one might reconnect with their own memory, sense of belonging, or newfound understanding of their intrinsic place in the world.
 

My Bones
a short film
Director of Photography: Hailey Weber
Edited by Rowen Dinsmore
Written by Meghan Reyda-Molnar
In association with The 525
Curatorial Statement
by Rowen Dinsmore

Hailey Weber’s solo exhibition, “My Bones,” tells a story with no beginning, middle, or end, but one that takes her viewers to abstract yet uncannily familiar places that provide an unspeakable sense of “home.” Hailey’s works are deliberate, thought provoking, and reflect her intimate connection to nature. Inspired by Georgia O’Keefe’s abstract tendencies, Hailey’s works harbour a sense of belonging while reminding us of the passing of time and one’s relationship to physical places.

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As people, each of our lived experiences ultimately fade into flickered and hazy memories that contribute to the foundation of the person we grow into. For example, the memories we recall from childhood are often lacklustre and mundane; but to our individual selves, these memories are uniquely formative, dreamlike, and unexplainably ours. Although we all experience life differently and through our own lens, we are all similarly made from collections of moments and memories that construct our bones overtime.

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After working closely with Hailey on this exhibition, I think of “My Bones” as a self portrait of the artist, but also as a self portrait of anyone who’s coming into the collection to experience it for themselves. Hailey’s treatment of subject on each of her canvases is unique; she takes her own lived experiences and memories, and transforms them into ambiguous and abstract, yet stunningly familiar depictions of what could be pulled anyone’s own memory. The artworks that make up “My Bones” are time capsules of her memories, dreams, and cherished places that have come together to create Hailey’s “bones.”

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Rowen Dinsmore

Exhibition Curator

Curated Exhibition Playlist's

by Hannah Scheu

Audio Curators Statement

 

Playlists My Bones: Dawn & Dusk were built to accompany Hailey Weber’s recent collection, My Bones. This work is a dive into Weber’s sense of self, her connection to this small world, and its impact on her personhood and identity as an artist. Created between her in-home studio on a tree lined street in Saskatoon, a sun filled deck in northern Saskatchewan, and several spaces around Treaty 6 Territory, her work reflects her study of place and identity. It was important to Hannah Scheu, audio curator with The 525, to prioritize sounds the artist would have encountered while creating this collection. Several tracks feature samples of native birds, insects, wind, and water; all elements Weber would have heard organically while creating these works. These samples are recurrent through both playlists, as they serve as a backdrop to Hailey’s art and the spaces her pieces were thoughtfully and intentionally made. 

 

Inspired by this collection’s thematic depth as she was by Weber’s strong colour theory, Hannah’s goal with these playlists was to reflect Weber's art in a delicate, organic way. Full instrumentals, layers of keys, strings, and harmonies represent the warm, calm undertones of Hailey’s work; most notably her ability to capture place and time. Lyrically, several tracks reference growth, ancestry, humanity- all themes and conversations taking place in My Bones. 

 

The artists featured in these playlists are as diverse as the emotions expressed in Hailey’s paintings, hailing from Canada, the USA, Europe, Central & South America, the UK, Australia, and Japan. Although each culture and individual artist has different interpretations of the impact of our roots, the foundation on which we build our lives, all represent their relationship to these themes within their music. It is a pleasure to accompany this collection with auditory art, and in doing so, we invite our guests to listen along and deepen their own connections to these works. Thank you for listening with us, and please enjoy viewing Hailey Weber’s My Bones. 

 

Hannah Scheu, Audio Curator with The 525 Art

photos by Josh Campillos

Exhibition Contributors
Creative & Curatorial Director: Rowen Dinsmore
Executive Director & Project Director: Kehan Fu

Audio Lead & Music Curator: Hannah Scheu
Content & Graphic Designer: Delaney Yvonne
Project Coordinators: Anna Setyo, Hannah Pek, & Aldeneil Española, Versailles Rizzos
Audio Visual Assistants: Carter Reece & Josh Fehr
Photographer: Josh Campillos
DJ: DJ Fu
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